As John and Yoko started living
together, not surprisingly divorce proceedings began between
John and Cynthia and she and Julian were allowed to stay at
Kenwood while the two respondents took up residence in a
Montagu Square flat in central London.
Paul had always enjoyed a close relationship with John's
son Julian, then five years old and, to show his support for
mother and child during the break up, he drove down to
Weybridge from his home in St John's Wood bearing a single red
rose. Paul often used driving time to work out new songs and,
on this day, with Julian's uncertain future on his mind, he
started singing and improvising lyrics on the theme of comfort
and reassurance. At some point during the hour-long journey,
Hey Julian gave way to Hey Jules and Paul
developed the lines "Hey Jules, don't make it bad, Take a sad
song and make it better". It was only later, when he came to
flesh out the lyric, that he changed Jules to Jude, feeling
that Jude was a name which sounded stronger.
The song then became less specific. John always felt it was
addressed to him and was Paul encouraging him to make the
break from the Beatles and build a new future with Yoko. Paul
felt that, if anything, it was addressed to himself and the
adjustments he knew that he was going to have to make as old
bonds were broken and new ones forged.
As with so many of Paul's songs, it was the music that
drove the lyric, with sound taking precedence over sense. One
line in particular — "the movement you need is on your
shoulder" — was seen only as a temporary filler. When Paul
played the song to John on July 26, 1968, he pointed out that
this line needed replacing, saying he knew that it sounded as
if he was singing about his parrot. "It's probably the best
line in the song," said John. "Leave it in. I know what it
means."
Julian Lennon grew up knowing the story behind Hey Jude
but it wasn't until 1987 that he heard the facts of the
composition first hand from Paul, whom he bumped into while
staying at the same hotel in New York. "It was the first time
in years that we'd sat down and talked to each other," says
Julian. "He told me that he'd been thinking about my
circumstances all those years ago, about what I was going
through and what I would have to go through in the future.
Paul and I used to hang out quite a bit — more than Dad and I
did. Maybe Paul was into kids a bit more at the time. We had a
great friendship going and there seem to be far more pictures
of me and Paul playing together at that age than there are
pictures of me and Dad."
It's only fairly recently that Julian has started asking
questions about his past. Paul was right to anticipate that he
would have a hard time growing up. "I've never really wanted
to know the truth about how Dad was and how he was with me,"
Julian admits. "I didn't want to know the truth and so I kept
my mouth shut. There was some very negative stuff talked about
me — like when he said that I'd come out of a whisky bottle on
a Saturday night. Stuff like that. That's tough to deal with.
You think, where's the love in that? It was very
psychologically damaging and for years that affected me. I
used to think, how could he say that about his own bloody
son!"
Julian hasn't studied the words of Hey Jude for
some time but finds it hard to get away from the song. He'll
be in a restaurant when he'll hear it played, or it'll come on
the car radio when he's driving in Los Angeles. "It surprises
me whenever I hear it," he says. "It's very strange to think
that someone has written a song about you. It still touches
me."
Hey Jude was the most successful Beatles' single
ever. It topped the charts around the world and, before the
end of 1967, over five million copies had been
sold.